Home Story

All stories are about being human and all humans need a spot they can call home. More than shelter or status symbol, "home" is part of a person's identity and many writers are known for theirs.  Faulkner didn't stir from Rowan Oak unless he was forced to.  Daphne du Maurier's obsession for Menabilly changed the course of her life.  But both of these homes are grand houses of great estates, spots most of us could not relate to.  So I traveled to Cross Creek, the home of Marjorie Kinnan Rawlings, a simpler structure if no less beloved. In fact, so much of MKR's happiness and identity were tied to her home, she wrote one of her best books about it.  And, from the moment you enter her gate, you can see both Cross Creek and the writer are cherished by those who remember them.

City-bred, Marjorie didn't flourish as a writer until she moved to the backwoods of Florida and Cross Creek is still off the beaten path.  No disoriented tourists, adrift from Disney, will turn up at its borders. No major hotels or even gift shops entice explorers with the "Cross Creek Experience". You have to look for the place, but it's worth the search. Instead, of the routine showmanship of manufactured amusements, you get something better: a view of a remarkable person's home and life as she wrote about and lived it.

There is the porch with its writing table, complete with typewriter and ashtray.  According to the tour guide, Jack, Marjorie composed at this spot until her books brought her fame and a collection of unwanted visitors, eager to watch her actually write. (I can't think of any activity with greater potential to bore the spectator or irritate the subject.)  

Here is the living room, equipped with fireplace and bookshelves, the very definition of cozy.  Marjorie planned for Cross Creek to become a writer's retreat after her death but, the tour guide states, visiting authors made the spot a party spot instead.  When the state took over ownership of the home, Marjorie's widower removed her furniture from storage and returned them to their spots in the house.  The chairs and tables fit the room so well, you would have believed they never left there.

Marjorie's kitchen would earn the praise from today's interior designers for its pantry and prerequisite farmhouse sink but the stove astonishes me.  How did this woman find the energy to run a farm, write books and become a gourmet cook using this wood-fed contraption?  Yet she did, and wrote her own cookbook as well, which I own but refuse to cook from.  Marjorie's greatest strength was her drive but I am a person with limits.  

Another of the writer's strengths was her honesty and the guides at Cross Creek honor that, noting Marjorie's inconsistencies, and character flaws along with her virtues. Stubborn and volatile, her character was as uneven as the floor in her bathroom (made famous in her essay, "The Evolution of Comfort") and she made many mistakes. These errors cost her dearly at times and she faced many, if not all, of them in hindsight. But she was an individual, vibrant as the land she wrote about, comfortable and homey as her living room chairs.   

Most of all, she was a person who understood the value of "home" wherever it turned out to be. She invested her fortune, her talent, her dedication and sometimes her sanity in the house and orange grove of Cross Creek while recognizing herself as a mere temporary tenant. In turn, the spot brought her poverty, wealth, friends, opponents, joy, frustration, unending work, heartbreak and a spiritual as well as physical home. Oh, and it gave her her writer's voice.

All in all, not a bad deal.

End of Summer Report Card

"I'm just a Summer Girl,
Living in a Summer World..."

The only thing is, Summer is ending.

That much is obvious, even without the store displays of Halloween Costumes and Football gear. Days are shortening, outside light is yellowing, and the trees have begun their annual game of pelting our metal roof with nuts. (it's amazing how something that small can make that large a noise!) Autumn is coming again, and it's time to take stock of what did and didn't happen this Summer.

See More of Friends and Family: Well, yes and no.  Sadly, I missed my High School Reunion again, and I only hope my classmates and hometown will forgive me. On the other hand, my nephew came to see us in June, and I talked with my sister almost every day, which is very good.  Our folks would never have believed we've learned to be sisters and friends.

Learn to DIY on a Dime: Check.  So, I'm a slave to all of those H&G/DIY shows/pictures/ideas, a truth that frightens my husband no end. (His lawn and garden dreams involve Astroturfing the yard.) The only thing is, we haven't got the budget for hiring Home Improvement teams.  So this summer I became less afraid of power tools and more conscious of a penny these days, and I've put that to work around our house.

After restoring a trunk and subdividing a Five Dollar Fern into Four, I used $25.00 in paint, cloth, and misc. to update the rest of front porch furniture.  My Porch is important to me: it's a fourth of our home's entire footprint and more relaxing than a pitcher of martinis but, decor-wise, it needed some help.  The old desk I had out there left long ago, and the porch swing's cushions didn't fit the swing. So I restored the surface of the old, white, resin, patio table, and added a painted and recovered, thrift-store chair to make a tea-and-snacks spot at one end...

...and used the rest of the fabric to cover the severed sections of the chaise-lounge cushion covering the Porch Swing at the other end. Granted, I'm no pretender to the Fixer Upper Show, but the Porch is, once again, a comfortable, sweet place to be and I did it without breaking the bank. Next, I'm turning a felled tree into rustic pavers for a stepping stone path.

Continue to Work on Health and Weight: Yup, although I think my days of faster weight loss are done.  I've got a much lower BMI and resting heart rate now, so I really have to work to get the calorie-engine going.  Luckily, this summer I re-discovered one of the physical activities I enjoyed as a kid: swimming!

For 27 years, I've lived within a stone's throw of a beautiful community pool and never used it! That changed this year and, once I got over my bathing suit inhibitions, I realized (a) no one at the pool was looking at me, even when I accidentally wore my suit inside-out and (b) swimming is too much fun to give up, just because of age and flab.  At any rate, it helped me drop and keep off another 10 pounds. Blouses I bought, but couldn't button, back in April are suitable for public wearing now!

Re-entered the work force: Not yet, although I'm still trying. Well, the ideal job, like the ideal weight, doesn't just appear; you have to go out and get it.

Actually experiencing Summer: This was my greatest wish.  For years, I always seemed to miss participating in Summer, either through circumstance or choice, and I've felt back about that. After all, each of us has only so many summers in a lifetime, and it's a shame to skip any of life's rides. So I participated in Summer everywhere that I could, gardening and grilling, getting a tan and even jumping off the High Dive. (Which only gets more frightening with Age.) And, now that it's September, I plan to enjoy Fall to the Fullest.  I hope you have a Great Autumn too.

Blossoms of Evil

Everyone has memories they don't like but can't shake.  This is one of mine.

I was small and my parents were driving back through a desert in the southwestern states.  We hadn't seen a town for hours, and I'd gotten used to seeing the endless miles of saguaro, yucca, and empty skies. So, when we started to pass a row of shacks that lined the empty road, I was surprised.  These structures didn't seem to be part of any town or village, and it would be generous to describe them as houses.  With concave walls, covered with tarpaper and tin, they were the worst excuses for houses I'd ever seen but, judging from the faint light coming from the windows, someone seemed to be living in them.  Even odder, each shack's sway-backed porch seemed to hold at least one shiny, white, refrigerator or washer and dryer. My mom made a noise of disgust.

"It's terrible the way they are treated," she said and I asked what she was talking about.

Then, with a soft, gentle voice, that couldn't disguise her anger, Mom related this country's history concerning Native Americans as if she was telling me an unhappy bedtime story.  Attacked, betrayed, segregated and undermined for years by the white colonists and their government, the indigenous Native-Americans had been systematically corralled onto ever-smaller and poorer tracts of land and relegated to a marginalized existence.  Mom said the row of shacks we were passing was part of one reservation.  She added, "And see how the government treats them? Some official probably thought these folks would be fine if they just had modern appliances. Did you notice they don't have electricity?"

That memory came back to me as I read Killers of the Flower Moon. In a way, it was the another chapter in Mom's sad tale about how white men treat American Indians.  But, instead of a misunderstanding and callous government making mistakes, this story's a lot more personal.

Imagine a tribe actually choosing the land where they will build a reservation.  In the 1870's, as they were being relocated, the Osage Indians did exactly that. They sought and purchased a tract of Oklahoma they believed was too rocky and poor for any white man to ever desire it. Unfortunately, neither the Osage or the U. S. Government realized the land in question covered a deep, rich, oil reserve.

Killers of the Flower Moon details what happened to the Osage tribe once the drillers struck oil. A host of schemes and deals to separate the Osage from their dividends were put into play, including price-gouging, theft, and outright murder.  This fast-paced history reads like a suspense thriller, detailing not only the conspiracy that exterminated almost an entire family, until the FBI intervened but an even wider number of Osage victims whose murders were never addressed.

It's a fascinating story, but one that can make you rethink old ideas.  Where I grew up, everyone thought striking oil and becoming rich would be a wonderful thing.  The Osage could argue that striking it rich is the surest way to shorten your life.

The Stories We Hide from History

Everyone has secrets they want to keep.

Keeping secrets is harder if you live in a small town.

Small towns are the original spots where everyone knows your name.  They also know your parents, your siblings, and whether you went to reform school or college.  But they have secrets they want to keep too. Sometimes, this can make small-town society seem like an insulated conspiracy of silence.

Until curiosity or a stranger shows up, that is.

This is the premise of Annie Barrows's 2015 novel, The Truth According to Us. Set in the fictional town of Macedonia, West Virginia in 1938, The Truth According to Us is almost a chemical experiment of human psychology.  What happens when a couple of curious souls look at decades of mythology and lies?

One mind belongs to Layla Beck, the WPA writer commissioned to transcribe Macedonia's history; the other to twelve-year old Willa Romeyn. Presented with conflicting reports, Layla has to decide what deserves to see print, the truth or a glossed over fiction. Was the town's founder a hero or tyrant? Was their legendary preacher a charismatic saint or sexual predator?  Layla's present and future become tied up with Macedonia's history.  To Willa, it's the way to demystify her family's past.

Where does Father go when he vanishes for weeks at a time? Why does he leave his kids with Aunt Jottie?  Why doesn't Aunt Jottie have a family and kids of her own?  At the age of twelve, Willa's beginning to notice how the people she loves the most avoid certain topics of conversation.  In fact, sometimes they lie.  With the Macedonian virtue of ferocious devotion, Willa decides to unearth the facts and learns that truth can come at a terrible cost, even while it sets you free. 

On a side-note, The Truth According to Us highlights an obscure bit of history, The Federal Writers Project. I know the notion of a federal program subsidizing writers may give some people indigestion, but it was a good idea at the time.  For meager wages, writers documented histories of places and individuals that usually wouldn't get covered: guides were written about every state in the union, and the oral histories of former slaves were transcribed. Valuable information that would have been lost altogether was saved by this work, and it trained more than a few writers that went on to literary glory including Conrad Aiken, Richard Wright, Zora Neale Hurston and John Steinbeck. Today, our culture still enjoys the benefits of what that agency did more than eighty years ago. Not bad for a short-term, New-Deal program.

But this is background.  The Truth According to Us is what happens when a fresh light is shed on a mythology created by resentment and shame.  Passions heat up faster than the dog days of summer. It's perfect for an August read.

Assaulting a Boston Fern: Confessions of a Broke H&Ger (Part 1)

It's time to come clean

First Confession: I'm a lifestyle/Home & Garden nut. Even though I nearly flunked Home Ec (twice!) growing up, I really love a pretty house. Ditto, lawn, and garden.  Set me inside a home-improvement store and I will happily spend us into the poorhouse. 

Second Confession: We're already too close to the poorhouse for me to do much home-improvement.

Hey, that's how it goes.  When my husband and I both worked, we had the cash for decorating but no time. Now I have the time and energy needed but insufficient valuta for the home-improvement store.  What's an H&G addict to do?

Answer: Find a cheaper choice.

For example, I've always loved the look of potted ferns. They say "summer" when I see them  on a front porch. But have you priced those suckers lately? Anywhere between $10-$50 bucks each.  And I wanted at least four ferns, two to hang and two to stand.  Given that price tag, I figured my house would stay fernless this summer.

What's a porch without hanging ferns? A sad thing indded

Then, Sunday before last, I noticed my local hardware store was having a garden sale. Big racks of season ending plants were displayed in the parking lot, going including ferns for $5 bucks apiece.  I picked out the biggest, handed over five bucks and the salesman popped it into my jeep. I had a stack of old planters in the garage and an idea in my little head. If I could sub-divide this baby, I might have enough to fill two or three planters for the front porch. 

I didn't realize just how big the fernster was until I tried to wrestle it out of the jeep.  This was a Jolly Green Giant of a fern, a botanical monster, and wider at the top than me.  Still, I reasoned, as I searched for plant dividing instructions on the 'net, a plant this big should suit my purpose, provided I could sub-divide it.

The last of the 45 lb. ferns

The internet said all I had to do was draw Jolly out of his pot and saw his root ball into manageable portions with a serrated knife. Sounds easy? It wasn't! For the next 40 minutes, I hacked away at his foliage, while the roots stubbornly clung together. None of my serrated knives were long enough to cleanly divide that monster or sharp enough to slice through the roots. I eventually managed to divide and conquer but afterward, the cutting table looked like a gardening disaster and I wanted to wash my hands for an hour and repeat the Act of Contrition.

A cat sleeps by the scene of the crime!

Even subdivided, the JGG was still too big for the planters. Still, once I got his quartered remains replanted into the new pots, (complete with new soil, plant food, and water) and cleaned up the scene of the crime, things looked a bit better.  I called my sister, a real garden guru, and asked for her advice.

Bern, Verne, Sterne & LuCerne: The Four Big Greens

"Mist them," she said promptly. "Every day for a month. Ferns need to be misted."

I was this close to saying, "Are you saying I need a mister, sister, to spritz the dad-burn fern?" but I didn't. I was too tired. 

Eleven days have passed and the first shock is over for me and the fern, now known collectively as Bern, Verne, Sterne and Lucerne, the four Big Greens.  They require lots of misting and so much attention I'm beginning to wish I'd kept my money in my pocket. Still, they are behaving and starting to unfurl new fiddleheads which means, I suppose, they are happy.  And the porch looks pretty nice for five bucks.

What are your penny-conscious decorating stories?

Redeemed by the South

Strangers to the South take a look at this place and react in one of two ways: either they loathe it or love it.  Either they see nothing but the region's excesses and sins and complain endlessly about both ("Oh God, it's so hot! And what happened here! I couldn't live in this place.), or they fall in love with the South, history, Kudzu and all.  Southerners understand both reactions because they tend to fall into the same camps, except the South is a part of their identity.  Still, love it or hate it, few people can claim they were rescued by the American South.  The exception is one dear, troubled, fictional child. Ladies and gentlemen, meet CeeCee Honeycutt, a girl who really needs saving.

Today, Cee Cee would be called an abandoned child, but they didn't talk like that in the 60's, when she was young.  If her father is rarely home, well, he travels for his job.  And CeeCee's mom is...well, let's say a bit odd. To CeeCee's schoolmates and the citizens of their Ohio town, Camille Honeycutt is a bona fide loony, with her flamboyant behavior and fashion sense. To CeeCee, she's mom, by turns loving and frightening, the grown-up Cee Cee looks after. Still, no one steps in to help until the Happy Cow Ice Cream truck accidentally runs over CeeCee's mom. The funeral brings Tallulah Caldwell, a stranger who says she's a great-aunt and invites CeeCee to move in with her in Savannah, Georgia.

These days, Savannah is probably best known as the setting of John Berendt's Midnight in the Garden of Good and Evil, a hothouse for eccentrics and oddballs in the 1980's.  The Savannah of Saving CeeCee Honeycutt is 20 years younger, still quirky but suitable for its younger audience. Here is a world of lush gardens, storied houses, garrulous neighbors, and sweet tea; a place where living is an art to be appreciated and savored.  Burdened by conflicted memories and thoughts of her parents, CeeCee begins her childhood over again at 12 and learns about life and friendship from the women of Savannah, white and black.  CeeCee's Savannah is neither heaven nor hell, but a place redolent, flavorsome and alive.

Like the South, CeeCee has a conflicted past that sometimes threatens to overwhelm a good heart. But the love and acceptance of friends can move mountains, they say.  They can save an old house, or a child's future, or even a life. That's redemption, wherever you are in the world, folks. And on summer mornings as beautiful as this, redemption is a miracle that seems possible.

Victorian Tale/Modern Mind

I'll admit I've been on a Brontë kick this summer; heat tends to drive me toward stories about simmering characters in cooler climes, a sure recipe for a Brontë book.  But, for all of my repeated readings of Charlotte Brontë's prose and my disaffection for sister Emily's Wuthering Heights, I never bothered to read the work of Anne Brontë.  Now, I want to bang on the front doors of all my English teachers and yell, "Why didn't you assign her books to your courses?  What were you thinking?" Anne Brontë's The Tenant of Wildfell Hall may be the surprise sensation of my summer reading.

It seems the book has always defied expectations. Published when English Women had no right to vote, own property or even have custody of their children, it's a challenge to that "civilized" society.  It dealt with issues like addiction and adultery so realistically it was a literary sensation when it was first published. It was so controversial, that sister Charlotte tried at one point to suppress the book's being reprinted.  

The story's subtitle could be "the mysterious new girl in town, " and it's told by Gilbert Markham, a young, rather satisfied, gentleman farmer whose family has "always" been part of the community.  He sees the same old friends all the time and visits the same old places with them. His mom doesn't like his girlfriend, but that's nothing new. Life, for Gilbert, is just a bit boring. Then strangers move into Wildfell Hall.

Everyone's curious about the new tenants, a Mrs. Graham, and her little boy and everyone wants to know more about them. But Mrs. Graham doesn't like to socialize.  She stays away from parties and turns down invitation until many think she's anti-social. When Mrs. Graham's in a group, she voices strong-minded opinions on subjects like alcohol and education for girls. Gilbert's intrigued. Between his mom, his sister and the females of the village, he's used to flattery and flirtation from women, two things Mrs. Graham won't give him. The more he learns about her, the more he wants to know and the harder she pushes him away.   Eventually, Gilbert learns his new neighbor is hiding from her charismatic bad-boy of a husband, a man who wants to introduce her and his young son to every degrading vice in the book. It's a complicated story, told in Victorian Language, but it reads like a modern page-turner.

There's something in the urgent voice of Mrs. Graham that compels you through most of the story. You can see why she married the wrong man and how initially she tried to make the marriage work.  You understand how hard and necessary it was for her to shut the door against him and how frail is her hope of freedom.  Even when she stops speaking and Gilbert again takes up the story, Mrs. Graham's voice is the one you remember.

Anne Bronte

It's astounding to realize this is only Anne Brontë's second book and her last one at that.  She died at 29, the year after  The Tenant of Wildfell Hall was published. More strident than Charlotte and less moody than Emily, she is the realist of that intense family: Wildfell Hall is no romantic spot like Thornfield or Wuthering Heights, it's a big old house that sorely needs maintenance.  And, instead of vengeance or spiritual transcendence, Anne's characters want and demand justice, a call that resonates today.  Perhaps that's why, after almost 200 years, Anne seems the most "relevant" Brontë.  She wasn't just the youngest Brontë sister.  She was the most modern female in the bunch.

The Forgotten Book about the Forgotten Bronte

Obsessions aren't part of my better nature.  They take up time and energy and can turn me into an absolute bore but, nonetheless, they are part of me.  I find an interesting subject and suddenly I want to know all there is about it.  It's the mark of an obsessive and, as I say, it has its downfalls.  But sometimes the search yields obscure treasures.

That's what makes me a fan of Daphne DuMaurier, a writer who understood the nature of obsession. Two of her most famous works, Rebecca and My Cousin, Rachel are about the mania of being haunted by one subject.  And, according to at least one biography, the author had a literary obsession of her own, one that I share: the Bronte family. Trust me, this makes sense.

The Bronte sisters are a fascinating subject, whether you are studying literature or women's history. Three adult sisters, with minimal resources, strive to support themselves as writers, although the world of publishing is pretty much closed to women at that time. The women submit first poems and then novels under male pseudonyms. The novels become best-sellers and then literary classics, studied and loved ever since.  It's a compelling success story but Ms. Du Maurier wanted to write about the great failure of this talented family: their brother, Patrick Branwell Bronte.  Story-wise, this makes sense too.

The Infernal World of Branwell Bronte is a look at the then-forgotten brother of geniuses (genii?) and figure out why he failed. By all accounts, it should have been the other way around. Young Branwell, with his imagination and brains, led his sisters in games of imaginary world-building and should have been the Bronte writer the world remembers.  With his superior education, he should have, at least, been able to support himself financially. DuMaurier's research proves that the gifts Branwell had were outweighed by his flaws: an overwhelming ego, a distaste for any form of sustained discipline, and an addiction to alcohol. Still, he's an interesting failure and a brilliant psychological study, perfect for Du Maurier's mind.

After publication, it seemed that failure must be contagious because The Infernal World of Branwell Bronte did not sell well.  Before the Internet and e-books were available, it was probably the least likely Du Maurier work to be read.  But, like the subject, if this biography is a failure, it's an interesting failure about a man with a resourceful, uncontrollable mind.  In other words, an obsessive's obsessive.

The Lessons of Old Wood

Some projects take more time than others. Twenty-seven springs ago, when I knew we were moving into this house, I bought an old, cedar lined, wardrobe trunk, to use as multipurpose furniture.

"It can be a coffee table or a lamp table" I caroled to my overwhelmed husband. "While it stores extra blankets and quilts."

"What we need is more floor space," he replied, eyeing the battle-scarred box, "and we're not going to get it with that ugly thing."

"Just you wait, once I paint it, this thing will be beautiful," I said. And, because I was in a hurry, I poured a quart of ivory paint over the entire trunk and hauled it into the house. It didn't look good or hold the out-of-season linens like I planned, but it served as table and storage container for decades, first in the living room and then on the porch. With the construction of Darling Husband's garage, the cedar trunk was emptied of its cache of tools and finally ready for the restoration I promised it years ago.

Trunk after years on the porch. This should be an easy cleanup, right?

That process has taken the best part of a week and three layers of skin from my hands. But I also gained some wisdom worth keeping: what I think of as The Lessons of Old Wood

Respect the Product That's what I didn't do with ivory paint years ago. Wardrobe trunks were manufactured to be complex, durable luggage made from various woods, metals, cloth adhesives and other materials. As a result, these trunks were durable, one reason there are still so many on the market. But that also meant, no matter how sad my trunk looked when I purchased it years ago, the ivory paint didn't hide the scars of its use; instead, it added an extra layer I'd have to take off down the line. And none of those layers would leave without a fight.

Respect the Process. After years of neglect and exposure, I expected stripping this thing would be a cinch. So, putty knife in hand and the lyrics to Born in a Trunk in my head, I went to work. And five hours later, the porch floor was covered in layers of adhesive, paint and cardboard, I was a sweaty mess and the trunk looked like it had an incurable skin disease. After that came three days of rubbing, sanding, chemical strippers and removing decades of grime from the details of this box. By the end of the third day, my unconscious had switched from Born in a Trunk to Give Me Something to Believe In and the top layer of skin on my hands was gone. And the trunk still looked sick.

3 days and the boring trunk now looks diseased.

Strong Problems require Strong Treatment. After a little Internet Research, I found Citristrip, a marvelous product that cleans wood and metal without killing your sense of smell. That took layers off the wood of the box and floor below when it dropped (well, I can repaint the porch later.) Notice all the stained wood? Yeah, so did I. Trust me, no chemical stripper or high-grit level of sandpaper will fix that issue. So I went to work with the 60 grit sandpaper and kicked up a huge level of dust. Now that sucker's beginning to clean up.

Post CitriStrip - Stained but Cleaned

You have to Get Dirty to Clean Something Else Up. This is something the DIY blogs don't mention. When I reviewed posts on restoring old furniture (and there are thousands of them out there) they all mentioned several things, like chemical strippers, vinegar and water solutions and lots and lots of sanding. None of them mentioned the mess all this creates. As layers of paint, glue, and cardboard came off of the trunk, they reattached themselves to whatever was handy; the floor, my shorts and me. And stripping gel is an ooey-gooey gunk before it gets to work, even worse when it does its job. So have trash bags handy and lots of paper towels if you decide to do this. Expect to wash a lot of laundry during the process. And repaint the porch when you're done.

Stripped and Sanded - The trunk looks better even if the porch floor looks worse

Perfect ain't necessarily flawless. When the trunk was clean inside and out and the goo-soaked mess was gone, I took a serious look at the box left behind. To me, the wood was beautiful, but it looked far from flawless. There were scars and pits in the surface that even a good sanding couldn't touch and the woodgrain had some serious issues. I remembered that, although the interior was lined with cedar, this exterior was a different wood, probably considered inferior and cheap. So had all of my work been for nothing?

No.  I cherish this old wooden box because of the age and events that gave it these scars.  It was probably made somewhere between 1910 and 1940, which means it's seen at least one world war, a few revolutions, some economic downturns, and a lot of social change.  At first, it was somebody's luggage with drawers on one side and hangers on the other, which means it's probably been hauled to a lot of places and had a lot of hands upon it.  As the times changed, it got shoved into unlikely places, filled with crap, and ignored.  And then I dumped my husband's greasy tools inside and left it out in the weather.  And still, the trunk survives.  

So, this time, I rubbed it down with layers of tung oil, allowing it time for each layer to cure. I didn't try to mask the imperfections in the wood but I did try to let its golden beauty shine through along with its age.  And then I put it back to work.

Now the Trunk is where I always wanted it to be, holding the quilts and blankets we don't need right now.  Even Darling Husband says it's beautiful.  And I think he's right.

Tump-TAY-shun

Ever been slapped upside the head by a forgotten Memory?

I'm not talking about the memories with short-cut, easy-access triggers.  Those are the ones you use from every day, stuff like your computer password, social security number and how to drive a car. Other recollections get misfiled in dusty cranial drawers so when you need the information, you walk around feeling stupid for five minutes, saying, "I know (fill in the blank) like I know my own name, what is it?" I'm talking about the memories that pop up out of nowhere and surprise the heck out of you.  That happened to me today. You could say it was a random accident or because Father's Day is coming up soon. Personally, I think the culprit is cake.

See, dense sugar/carb sweets are like cocaine to me and I've been trying to live without them for the last 14 months or so.  I've been doing pretty well with that too, not even missing the pastries I couldn't live without before.  At least until a couple of things that happened lately....

See some friends did us a wonderful favor.  I mean HUGE.  And nothing says "Thank You" to a friend like bringing them a great, big, gorgeous, dessert you've made yourself.  But nothing will get me in trouble faster than getting my fingers near cake batter So, I purchased and froze one angel food cake, two cartons of ice cream, some strawberries and whipped topping.   The frozen angel food cake was sliced into three layered rings, ice cream was spread like mortar between the layered rings, the whole thing was frosted with topping and strawberries and the result?

Tempting, right?

One "Thank You" cake pretty enough for the cover of Southern Living that still managed to avoid the perils of temptation...barely.  But then, there came the cookout.

Cookouts are almost an obligatory component of summer, like visitors.  Since we were hosting the latter, we had the former.  And (because you can't host a cook-out without dessert), pound cake and fruit were on offer for dessert.  A dessert no one had room to eat.  So after the cook-out, I'm stuck at home with a pound cake.

Does anyone remember Richard Pryor's routine about the cocaine pipe?  He swore that the pipe talked to him when he was actively freebasing. Now, when I first heard it, I thought he was a brilliant comedian, during the misery of addiction into performance art but I didn't really believe the pipe talked.  Well folks...the cake started talking.

VOICE IN THE KITCHEN:  Lessslie. Oh, Lessslie... I'm heeere.

ME:  Shut up, cake.  I don't want you.

VOICE IN THE KITCHEN: Now, we both know that's a lie. You liiiike me. Come on over here.

ME:  No.  Go Away.

VOICE IN THE KITCHEN: You want me to go away?  You know how to get rid of me.

Cake wouldn't stop talking until I left the room and went to bed. Right after I cut out one thin slice.

Next morning, I'm back in the kitchen and cake's voice is stronger than ever, which makes no sense since there's less of him now on the plate.  I'm actually considering eating a slice for breakfast when I heard one of my dad's favorite records playing:

You came...and I was aloooone

 I shudda knooown

You wuz Tump-TAY-shun 

This was a speeded-up, country version of the old standard Red Ingle and Jo Stafford recorded. Dad loved because it sounded so silly. I hated it. I hadn't heard of or thought of the recording for years, but here it was, plain as day.

I stood there, looking at Cake and listening to Stafford moan and yowl her way through the lyrics.  When she got to,"Take it Away, Take it AWAY" the memory meaning clicked in my head. That cake was Tump-TAY-shun and I had to take it away or, succumb.

Well, somewhere in this favored land, 95% or more of a pound cake lies in wait, looking to seduce some other poor chump jonesing for sugar.  But not in my house.  And I have the memory of Dad's music choices to thank for this. And I've decided, no matter what the occasion, I'm not bringing cake back into my house for awhile. It's one dessert that doesn't know when to shut up.